Work Camouflage (from The Camouflage series) is an attempt to examine the momentum in its visual form - the lines move their cross-section along a horizontal axis and, in a full rotary cycle four key moments can be observed, which either completely hide the visible image or reveal the face of objects. The work has an experimental and meditative character.

The animation presents an experimental search for the limits of camouflage - where the image sinks into abstraction and where its forms emerge. By separating the communication channels of the image (such as movement, shape, color, position, etc.) and using only a few (contrast, movement) the subject of camouflage is studied. The task is to partially uncover three-dimensional solids in front of the viewer, which can only be recognized by means of line patterns. Through their flow in relation to one plane, the work has many climaxes in which the image is fully camouflaged and in which the image is most exposed. All the fragments between these points are equally important - they represent the discovery and covering of solids in turn, and the whole closes in the form of rhythmically built tensions.